Back to the Journal

I suppose this is as a good place as any – I don’t want to send my truths to be displayed via an algorithm. Even if it brings engagement, can that computer curated engagement be sustained? What is the driver?

Or, more excuses to explain my loneliness with anything other than lack of personal effort? If I need to try harder, why am I so damned tired of trying?

Feels more appropriate than LJ at this point. Maybe I’ll tell others, maybe I’ll lock down private stuff. Right now I just need to write. I can’t keep trying to cram everything into my conscious mind.

Goodbye LJ, Hello WordPress

There isn’t much there yet. If anyone is interested, I’ll be posting to my personal journal over at journal.sylvanfells.net from now on. This LJ is officially dead. I’m not going to delete it (until I see if I can archive and repost some content on the other blog).

Bye LJ!

TIKI KON 2007 Mug Process

Here’s what happens to the sculpt after I get it.

I make a negative mold of the sculpt with which to make multiple sculpt copies. These Will be used to make plaster slip molds. The plaster slip molds will go to our ceramicist for mug creation.

Here’s the first batch of pictures:

After creating a mold box ¾” larger than the sculpt (in each direction) out of art board and hot glue. I’ll pour each half of the mold separately. To masque out 3-d areas for where I don’t want the polyurethane to go, I use modeling clay:

To help keep the two halves of the mold together, I make impressions for use as a key to align. Here you can see a closeup of one in the clay masque.

So, how to find out how much of the casting material you’ll need? I use rice to approximate the volume.

Now it’s full.

And now it’s measured.

After the rice is removed the whole thing gets sprayed with Tap Plastics Mold Release.

The Materials: Polyurethane Casting Resin system from Tap Plastics.

I mix half the measure of each of the 2-part polyurethane and mix like ‘taint no mixing been done.

The trick is to scrape the sides and the bottom of the container with something square. I use chopsticks. Next, I pour evenly and slowly into a corner of the box. I let the material slowly seep around and up the sculpt. As it’s pouring I notice how like a chocolate bar it looks. Here see it filling in the keys – caramel spilling into chocolate caverns surrounded by creamy white nougat:

Delicious caramel will be the last breath of this tiki mug!

Almost there:

The complete pour.

Once a day has passed, it is safe to attempt the other half. It takes a couple more than a few days to fully cure. I take off the bottom of the mold and flip ‘er over. All that clay we put in has to come out.

The same process is repeated (It usually happens that the rest of the containers are the perfect amount of material) on the back. Mold release, mix half of each, pouring into the corner:

Slowly to the top it pours.

This is the End product. 2 Halves which allows us to make copies of the scupt to use and not have to suffer a meltdown if it becomes damaged. We can just make another. And another. And another.

Next update coming when I get the pics prepared!